Many moons ago, a wise prophet named Patricia Benatar proclaimed that love is a battlefield. Jumping off that sage conceit, I named this mix, War Games, after the tactical exercises the military conducts to test strategy without real combat (read about them here). So, if love is an actual battlefield/the real shit/total war, then what I’m saying is that everything prior to love is war games, and that’s what this mix is about: the infatuation, lust, and general stickiness that happens prior to love. Does that make sense? Should I have not used the word “stickiness”? Well, I hope it makes sense, and there’s nothing I can do now about the use of that word. Forget I said it! And listen to this playlist of immensely talented, largely undiscovered artists below.
P.S. Lydia, I am so sorry about the butt that is now on the homepage of this website you created. I feel like it’s probably unfair to you that there is a butt on your site’s main screen, but I like butts and this one looks particularly cool. Maybe we agree on this; maybe we don’t. Nevertheless, I’m sorry.
Wherever you are, no matter how far, no matter who you’re hanging out with, I hope you’re having fun
I have been a Spotify user for quite some time now, but just recently I have realized the power of Spotify playlists, particularly the Discover Weekly feature. The issue I have with Discover Weekly is that it is too good. It is so accurate that it doesn’t offer those completely left field selections that surprise me and get me excited about music. To counter this, I had the idea for Spotify Spotlight, a new feature that will highlight playlists by Sunset writers, fellow tastemakers, and artists. These are playlists that I follow that hopefully can inject an element of randomness back into the music discovery process.
The first playlist of this feature is SAD SUMMER SIXTEEN by… me. These are the songs that I am listening to this summer, featuring everything from “Sad Summer” by Yeek to “Summer Sixteen” by Drake. I sequenced the 80+ tracks but would not judge if you throw it on shuffle, especially during long drives or in the shower. I will continue adding to and changing the playlist because much like The Life of Pablo, SAD SUMMER SIXTEEN is a “a living breathing changing creative expression #contemporaryart.”
I am a month into my final semester of university. Obviously, this is a very reflective couple of months in my life, but like my peers I am also looking forward, trying to attain a job, stability, and some sense of control over my own personal roaring ’20s. My path in particular is unclear, as if I am climbing a mountain where the fog is not clearing from the top. This mix is about holding onto youth, facing doubt about the future, and persevering through the challenges of transition.
P.S. The next Tape Tuesday will be the 50th and final Tape Tuesday I produce for Sunset. Thank you to all the people who have listened over the years. Hopefully, the change will allow me to explore other avenues of music coverage for this site.
Tell me when to stop, tell me when to stop feelin’ for you / Tell me when to flop, tell me when to flop so I can make you feel better
Yeek is not a band. He is an LA transplant named Sebastian (?), originally from Jersey City and then Florida. His music is an outsider’s take on Los Angeles. Last month, he released a free album* titled Love Slacker, which is a documentation of his experiences with romance on the west coast and features a mishmash of influences from Frank Ocean to The Clash. His art spotlights the internal struggle between a nostalgic longing for love and acceptance and a self-destructive path in the face of depression and isolation in a lonely new city.
You may not be immediately drawn to Yeek’s sound. Admittedly, I wasn’t. But if you sit with these tracks for a second and slow down your high-volume music devouring regimen, you will discover the gold in these songs. He’s my new favorite artist. To make matters even cooler, he dropped two of his finest songs a few days ago, less than a month after releasing an album.
*He calls it an EP, but it’s 10 songs and 31 minutes. That’s just a concise album.