Joey Aich gives his latest, GED 7249, the visual treatment with a unique concept that accompanies the track fairly well. Joey continues to grow as an artist, flexing his abilities over a smooth backdrop in what proves to be an easy listen. GED 7249 is off of his forthcoming project, If Money Grew on Trees, due out towards the end of 2016, early 2017. In the meantime, take in the visuals, and check out Joey’s latest feature (where he sends the instrumental to the ER) below!
Sounding like the prodigious prodigy of Kid Cudi and Drake, Cameron Murdoch has carved out a space for his self reflective raps with a slow drip of singles starting last year. With his EP release eminent (I Love Me Too – due out tomorrow, October 7th) the MC has treated us to a premiere of the album’s title-track. The bombastic mix of future bass, chopped and skrewed drums and impassioned lyrics makes for a knockout listen that rivals anything currently spinning on terrestrial radio. An added bonus is that Murdoch actually has something constructive to say about our evolving consciousness and the way we can relate to others as well as ourselves.
When he released “Favors” toward the end of last year, Nick Gray joined the scores of Boston rappers on the come up, including but not limited to Cousin Stizz, Michael Christmas, Cam Meekins, OG Swaggerdick, Vintage Lee, and Big Leano. The song blew up and did for Nick Gray what “Shoutout” did for Cousin Stizz: it gave him an audience. From there, Gray took on the role of a rap scientist, experimenting with sounds, releasing songs, and analyzing how they were received.
Eventually, he crafted an album, and “Playless” is the best song on the album. The track finds Gray breaking away from raps about dealing drugs and into much more personal territory. To me, it is the centerpiece of the project, which also hosts highlights like “Today” and Northside,” and it puts on display Gray’s purpose as a rapper, which, in conjunction with the occasional drug rap, is to paint a picture of his anxieties from his unique perspective.
Listen to the rest of Nick Gray’s debut album Northside HERE.
There have been a lot of weird, laughable moments in 2016 — a lot of overreactions over tweets and the like. A root cause of these reactions is people taking themselves way too seriously. The world is full of big problems, and little things seem to irritate people and consume their daily thoughts. In music, too, you feel people driving themselves crazy with their own seriousness. The reason so many people get into music is, of course, for self-expression, but also to entertain. It is easy to forget that, and important to remind yourself. It’s not that serious. You might want it to be, but it’s really not. Just have fun with it while it lasts.
NOTE: The SoundCloud mix is missing track 4 (“Moon II” by Louis Val) and track 16 (“Movie Screens” by Rory Fresco). Original image by Damon Casarez for NYT.
Today is my 24th birthday. The significance in this year is that it’s my year of the Black Mamba. This has absolutely nothing to do with music, but not much needs to be said other than the fact that both Frank Ocean (finally!), and Young Thug dropped new albums this month. Check out Best of August, as well as, Best of July below!
You may be currently sipping a cocktail in the backyard and tanning your skin away, but we all know the inevitable is coming — the end of summer. I know, it burns our ears too, but let’s not forget all the good times basking in the sun quite yet. We’ve compiled the perfect playlist for your last minute BBQs and days at the park. There are songs literally about summer (Kate Nash), songs that just make you want to get down at the labor day party (Roy Woods, Mac Miller), and some tracks that are simply light and catchy (Big Baby D.R.A.M., Kali Uchis) for those “windows down” car rides. Before you kiss the sun and warmth goodbye, take this playlist for a spin and just live in the summer moment.
I have been reading Walter Isaacson’s authorized biography Steve Jobs, and in it he describes Jobs’ “reality distortion field,” in which Jobs appropriated reality to fit his own singular focus. It is a tool Jobs used to speak things into fruition and to empower his employees to make the impossible possible. His colleagues often despised his rigorous, borderline irrational demands, but in the end, these high expectations often benefited the final product, and for that, the surviving workers thanked him.
I think anyone with unconventional goals needs to occasionally bend reality to fit his or her vision. You can’t lose grip on reality, but a blind faith supported by hard work seems like a tried and true recipe for success.
This mix is the soundtrack heard upon entering your own reality distortion field. It touches on spirituality and features dancehall sounds with some obvious sounds of digital distortion — just to remind you that you are momentarily dissociated from reality.
Are you working or just wasting your time? Did I mention that you’re still on my mind?
NOTE: This mix was meant to include “Somewhere in Australia” by Louis Val as track 6, but the track was removed from Soundcloud.
Young Thug has long been a divisive character in hip-hop. People complain that he sounds funny, he acts funny, and he dresses funny. We are now a good 2 years (and hundreds of songs) into his meteoric ascension to mainstream consciousness. I felt it was fitting, especially before his rumored name change to No, My Name is Jeffery, to put together the Young Thug ‘Greatest Hits’ so far. Something to finally explain to the Young Thug doubters, who have somehow blissfully ignored all evidence of Thug’s greatness up to this point, definitively why the Atlanta native is rap royalty. Unfortunately, I was not the guy who could adequately put this together. To create the mix and write about what Young Thug means to him, I employed the talents of Sun-Ui Yum, a rising junior at Harvard and an expert on all things Young Thug.
Written by Sun-Ui Yum. Follow him on Twitter here.
I think the first rap song I ever cared about was “Stronger.” The first rap album I ever listened to was My Beautiful Dark Twisted Fantasy, and the first rap artist whose every move I followed in as uniquely comprehensively as Twitter push notifications allows for is certainly Kanye West. Watch the Throne is the first album I ever stayed up all night in bed to listen to, and Yeezus is the first album for which I scoured YouTube for live videos of live DJ performances of unreleased songs. I think I knew every word to “New Slaves” months before the album. I’m not sure when that singular fixation shifted away from Kanye West for me, but the moment I realized it came earlier this year, when I couldn’t listen to The Life of Pablo without thinking of Slime Season 3.
I don’t really think it’s fair to make any sort of argument that Young Thug is a better artist than Kanye West – I’m sure there is one somewhere, and almost certainly one that I could formulate, but not one that I could comfortably write and get behind and stay behind, especially as I look at the list of Billboard Hot 100 singles under Kanye West on Wikipedia. What I do know is that Young Thug songs have logged significantly more plays than Kanye West songs in my iTunes, that Young Thug is the reference point around which all other artists rotate for me, and when the rare moment strikes that whatever music I’m listening to doesn’t click and I would almost prefer to be in silence, Young Thug drags me out of the pit without fail.
It has always been a pretty definitive fact that Young Thug can rap circles around people (just listen to how he winds up, then unravels on “Mine”), but it is increasingly clear that he has legitimate, legitimate hits in the arsenal. Kanye West knows, Travi$ Scott knows, Gucci Mane always knew – so does T.I., Usher, and Tinashe. It has also always been pretty clear that Thug has pushed the boundary, and everyone has followed – but we didn’t know that he was pushing those boundaries in 2016 with music that was recorded in 2013. At some point, his new project Jeffery is going to drop under some name. It will likely be the newest music Young Thug has ever recorded and released under a project. While it is clear that Thug is only moving up, it is impossible to predict in which direction he will veer. Will he be a full-blown pop star? A Travi$ Scott that simmers just under the radio radar? A cult hero? That is why this is the most important milestone of Young Thug’s career, a clear demarcation with a before-and-after. Who knows what it will be exactly? You just know it will be good.
Original image by Harley Weir
This mix is inspired by the wonderful Netflix original series Stranger Things and my growing concern that we might be living in its Upside Down World in light of the domestic shootings, international terrorism, and triumphs of Donald Trump in recent months. The mix also features my favorite songs of the past month, so naturally, it leans toward the more optimistic side–more DNC than RNC, if you will.
There are a few political tracks in the beginning. Then, it dips back into the epic love story consistent with most of my mixes (and most music, for that matter). In Stranger Things terms, the first half is fighting the Demogorgon. The second half is the Jonathan-Nancy storyline.
Spoiler alert: Who else was upset that Nancy got back with Steve? Smh, Steve is a tool.
What you gon’ do now that the summer’s over?
Even Allday, Australia’s preeminent left-field druggie rap-singer, isn’t immune to the Toronto influence. His latest single, “Sides,” clearly has some northern sensibility with its ominous synth beat and NYNE doing a pretty decent Weeknd impression on the hook.
“Sides” is the rapper’s first track since his Startup Cult record dropped in 2015, and it has us realizing just what we’ve been missing over the last 10-plus months.
That album cemented him as a master at walking the line between pop rap and something woozier and darker. The chorus here is Views-level catchy, and Allday’s verses have some serious bite, similar to “Right Now,” another surefire banger that was a highlight of Startup.
All in all, “Sides” is proof that Allday remains in mid-season form.