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Fun. Live Review [The Independent, SF, March 28]

Fun. Live in San Francisco Nate Ruess

When I interviewed Fun. at the end of February, I asked them what we could expect from their upcoming tour, and when Andrew Dost’s first answer was that they would have a new light show, I was underwhelmed. A light show wasn’t what I was expecting him to say. (Granted, he did say right after that to expect incredible singing from Nate Ruess. That got me a bit more excited, admittedly.)

Fast forward to March 28th. Fun. was performing at The Independent in San Francisco and I was given the opportunity to go check out the show and see what Andrew was talking about. After a beautiful opener by Avalanche City, the stage was cleared off and set up with Fun.’s equipment. The clock was ticking and it was clear to see that the crowd was getting anxious for Fun. take the stage. Suddenly the lights dimmed and the band came out onto the stage. What is typically a band of three was a band of six — Nate (vocals), Andrew (keys), Jack (guitar), and an extra drummer, vocalist/guitarist, and bass player. Upon arrival, the lights shone on Andrew, sitting at the keyboard and playing a trumpet into the microphone for the start of the second single release off of Some Nights, ”One Foot.” It was right at that moment that I had a bit of an epiphany. All of the sudden, Andrew’s comment about the light show made perfect sense. The lights were incredible. In an intimate venue, a light show makes all of the difference. It brought so much spunk to the stage that was already overflowing with personality due to six incredible performers. Blues, greens, reds, yellows, whites, oranges…they shone down on the band as they jumped around the stage playing their music.

And then, a song would end and the stage would go black. There was something magical in that moment. For whatever reason, my heart skipped a beat every time it happened. Something about seeing the band members in full force one second, and then in an instant, they were invisible. But I knew they were still there. I suppose it might have had something to do with the idea of them eventually leaving the stage and actually being gone…it was a preview of the separation anxiety that was to come, but in those moments, I knew that the lights would be back in a couple more seconds, and again I would be exposed to some of the best live performers I’ve yet to see in my life. It’s really hard to put these feelings into words, so if this isn’t resonating at all with you, just know this: I was sitting there, by myself, giddy like a child and overflowing with excitement. I can’t quite put a finger on why. But it was happening. And I was loving it.

The second part of Andrew’s preview of the show was an understatement. Sure, he told me Nate Ruess can sing like a motherfucker, but that didn’t do his voice justice. Nor did it give me any warning of what a superb performer Nate is. From the very first second he stepped on the stage, he appeared to be a breathing version of a bundle of energy. He’s skinny, he’s hip, and he’s a funking monkey. To emphasize his excitement, he would throw the microphone from one hand to the other, he would jump a couple feet into the air, and his smile…he smiled the whole fucking time. Well, with the exception of the sad songs. He sang those too.

They played a great mix of songs old and new. From their 2010 album Aim and Ignite, they played Be Calm, All The Pretty Girls, At Least I’m Not As Sad, Walking The Dog, Barlights, The Gambler, Take Your Time, and perhaps one more that I’m now forgetting. From Some Nights, they played Some Nights, We Are Young, Carry On, It Gets Better, All Alone, All Alright, One Foot, and again, maybe another song or two that are now slipping my mind. And what more? The entire room seemed to know every single one of these songs. It was truly incredible. And though I’ve known most of these songs for a while now, it was a different experience seeing it live. The energy was real. The emphasis on the juxtaposition between songs on Some Nights was breathtaking. Hearing Nate sing “if you’re lost and alone or you’re sinking like a stone, carry on” in front of a room full of 21+ hardcore fans singing “carry on” right alongside him was really stunning.

Clearly my mind was blown throughout the course of the night. I’m not sure my words can do it justice, frankly. As I’m sitting here writing this, I’m having to readjust myself in my chair every few seconds because I’m finding myself bouncing around getting excited just thinking about what an incredible show it was. I have a smile on my face, my eyes are wide, and I’m listening to Fun. as I type, singing along, sometimes taking breaks to sing. But I quickly get back to writing, because I have just so much to say. It’s exciting. Fuck…writing about it is exciting! So…well, FUN!

There are songs from the album that I didn’t love. Let’s take “It Gets Better,” for example. Wasn’t feeling it when I reviewed the album. But shit. Live? I fucking loved it. “It gets better, it gets better, it gets better, we’ll get better.” Do you know how empowering it is to be singing that at the top of your lungs along with a room with 500+ people? And with Nate leading the pack. Shit. It was unreal.

Some highlights of the night, you ask? Well, for one, I fell in love with the bass guitarist. That boy was hot. And by god, he could destroy a bass guitar. I’m not kidding when I say this, though it sounds like a bold claim from a girl who’s newly in love, but this was the best performing bass guitarist I’ve ever seen. The energy he put into every single pull of the strings was not only apparent, it was contagious. Beyond that, another highlight was when Nate would talk between the songs. In one of his breaks, he asked the room if this was truly a 21+ show. We cheered, and he took that as his chance to tell everybody to take a moment and scream profanities at the top of their lungs for the next 20 seconds. Why the hell not? So we did it, and it was awesome. That’s just how the night went. I arrived at the concert by myself that night, and I walked out with a couple new friends, because everybody under the roof was in the same state of bliss, we might as well have all been family for the night. The band, too. They were family. Seeing Nate Ruess look out at the crowd with gratitude in his eyes, and his smile, yeah. He was family too.

At this point, when I listen to their music, it’s a different feeling than it was before. I already loved it, but now it’s intimate. It’s personal. It’s more fun and more emotional than it used to be. I feel, at times, like Nate is still right there singing to me when I hear it now. Between this concert and the Perfume Genius concert I saw a couple nights before, I’m not sure I’ve ever seen such moving shows. If Fun. is coming to a venue near you, and you don’t go out of your way to at least try to get tickets, you might be out of your mind. I promise you, you’ll regret it if you don’t go. Get off your ass for a night, even if you can’t find anybody to go with you, and go watch them perform. It’s a show, and it’s a fucking blast. You’ll thank me later. And you’ll likely walk away with some new friends and a newfound love for Fun.

*I apologize for the profanity in the post. It just happens when I get this excited. And for the poor quality of photos and videos – I was having too much fun.

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Sunset Presents: Hoodie Allen, Clemson SC

Hoodie Allen - Clemson

Sunset in the Rearview is hosting a Hoodie Allen concert in Clemson, South Carolina on April 19th! The concert will be the first show on Hoodie’s nationwide All American tour and according to everyone it will “definitely be the best concert ever.” The show comes 9 days after the All American EP releases on iTunes and will feature brand new material from Hoodie Allen. If you live anywhere nearby, you need to come to this. It will be one crazy night. Also, if you’re an insane stalker, I will be there for you to stalk. Tickets are selling quickly! Hit the links below to RSVP and buy tickets. The concert is 18+ AND all profits from it go to the great local charity Clemson Community Care. Swag on swag on swag.

BUY TICKETS NOW!

RSVP on Facebook!

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Tape Tuesday: The Night Out

New Tape Tuesday!

I wanted to make a mix that could document a long, dangerous, overly emotional, fun, sad night, so I made The Night Out. This is the mix that could soundtrack those nights you spend with your obnoxious group of friends (that you love even though they are obnoxious) as you jump from place to place around the bomb ass city creating havoc wherever you go. This is the mix for those nights that start off crazy and fun and awesome and then end with short sentences and awkward goodbyes. Listen below.

Use the sleeves on my sweater, let’s have an adventure, head in the clouds but my gravity’s centered, touch my neck and I’ll touch yours, you in those little hot waisted shorts

  1. Sailor & I – Tough Love
  2. Mesita – Ken Caryl
  3. Art of Sleeping – Empty Hands
  4. Martin Solveig – The Night Out (Madeon Remix)
  5. Mikey Mike – Girlfriend (Chainsaw Love, Pt. 1)
  6. Charlotte Gainsbourg – Anna (Moonlight Matters Remix)
  7. I Heart Sharks – Summer
  8. Samuel – Brooklyn
  9. Wild at Heart – Darling
  10. KO KO – Float
  11. Get Well Soon – Not Enough
  12. KO KO – So Strange
  13. Kilo Kish – You’re Right
  14. The Neighbourhood – Sweater Weather
  15. Shadows on Stars – Sweat Pant Bandits
  16. The Belligerents – Infatuation
  17. matt pond PA – Wild Girl

DOWNLOAD ‘THE NIGHT OUT’ HERE

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Best of March 2012

jpgs_0002_march

This was a month of madness. March Madness! See what I did there? Basketball is my favorite sport, but unfortunately for us basketball lovers, this has nothing to do with basketball. This is just a playlist filled with what I think is the top 30 songs of this month. I’m also depressed because Ohio State lost last night. Fuck.

Download Best of March 2012

Jordan’s Top 5 (in no particular order):

J. Cole – Visionz Of Home

This reminds me of why I fell in love with J. Cole’s music in the first place. This is pure fire. It’s ridiculous. Bonkers. Crazy. An anthem for his home. This is arguably one of my favorite songs from Cole. Yeah, it’s that good. Did I mention how good it is?

Chiddy Bang – Zeros

The production from Xaphoon Jones is always legit and Chiddy is consistent for the most part. This is a song for the car, yano? The type of song high schoolers blast with their windows down as they leave their high school’s parking lot. They got that vroom vroom, and their bass got that boom boom.

Frank Ocean – Whip Appeal

I mean, it’s new Frank Ocean. Pretty girls and sports cars, duh.

Raider – Lady, Lady

I found this gem via our submission email. One of my favorite indie songs currently on my computer. Keep in mind I don’t have that much indie since I’ve just become a recent fan, but still, this was good enough for a Tape Tuesday. That alone tells you the quality.

Avicii – Levels In Reverse (George Monev Edit)

If you follow me on Twitter, or just have some sense of who I am, you know Levels is one of my favorite songs of all time. I’ve spent countless hours listening to Levels. From the original to the infinite amount of remixes. This one, however, is the best Levels remix. This is the remix that should put any other past and future remixes to rest. Flipping the synths completely turns Levels into a brand new, more upbeat track, but it’s still not better than the original.

Hit the jump for full track list! Continue reading “Best of March 2012” »

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[Must Listen] Nico Segal – Illasoul: Shades of Blue

illa_soul_cover_art-e1332721829495

I love/hate starting posts with these kind of introductions. I love it because it means I’m excited about the music, I hate it because it means I dropped the ball.  Anyways, I’ll say it, as I’ve said before; I’m sorry.  By not introducing Sunset readers to the incredibly talented Kids These Days I have let down my hometown, Chicago, the windy city the Kids call home, and I have let  you guys down for not sharing some of the best new up and comers out there.

Today, I’d like to introduce you to Nico Segal, one of the very talented Kids. He plays trumpet for Kids These Days, but is also a moving, intricate wordsmith; complex and emphatic.  He recently released a solo mixtape titled Illasoul: Shades of Blue, and it is truly an incredible project.

I guess most people would call Nico Segal a rapper, right? I can’t, though. What he’s doing is different–it’s more poetic, I guess, than what I would be accustomed to hearing from a “rapper.”  This is true not just in the way he writes (and good lord, the young man can make magic with his words), but in the way he speaks.

This is clear on “Music Found Me,” which is just Nico’s voice sans instrumental–simply a poem.  But not a simple poem, to be sure; I spent an hour today listening to it on repeat, and each time I heard a new line, found a new meaning. “My world is made of bouncing rhythms and traveling pitches,” Segal informs his listener.  And so, really, is his voice; weaving and flowing through rhythmic rhymes and intricate tales of his hometown, his life, his artistic visions and journeys, and his unquenchable desire for poetry and the artistic craft of spoken word.

I Once was Lost, but Now I’m Found. Was Blind, but Now I See; Music Found Me

Kids These Days will be a big deal. If they’re not, it says something very disappointing about the music industry. They are incredibly talented, and easily one of the most moving acts I have heard in a long time. Vic Mensa, the lead rapper of KTD, is featured on both Clear Eyes and Come Closer.

It’s been a while since my voice looked at me with clear eyes/ It’s been a while since my voice became shaky with sniffled cries

He has a beautiful voice and is also an incredibly gifted rapper and singer, but look up some KTD–literally every member of the group is extremely talented at what they do. I can’t remember the last time I listened this intently to every word an artist has said on a mixtape. I found myself completely entranced by Nico’s words on Music Found Me, Clear Eyes, and Musica Mi Vida.

“But of course corpses that never breathed art before will forever reek of remorse/ for pledging allegiance to ignorance and price and pristine politicians, demeaners of indifference/ How many presidents were musicians? People aren’t blind when it comes to politics they just don’t listen”

Nico and Vic both have an old school, bluesy sound to their words and voices, so they go along very well with the Dilla, Thelonious, and MF Doom classic, jazz infused production.

I don’t know what else to say about Illasoul. You just have to listen to it guys, it’s necessary. Let me know what you think, too, because I’m curious. Am I giving them too much credit? Are they as good as I make them out to be? I hope so. I believe so.

“My Rabbi is Miles Davis”

 

 

Download “Illasoul: Shades of Blue”

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D Prep

 


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Five Incredible Cover Songs For Sunday

Young The Giant Covers R. Kelly

Sunday morning. Feeling like shit? I have some stuff that might just make you feel a little better. Five covers that will blow your mind. Ready?

1. Young The Giant Covers “Ignition” (Remix) by R. Kelly

I’ve been telling myself for years that if I could sing, I would be sure to put on a fur jacket and do a cover of R. Kelly’s Ignition Remix at least once a day. What a fucking coincidence that Young The Giant came around and did the exact same thing. Whatttt?! Mind: blown.

[via P&P]

2. Niia Covers “BTSTU” by Jai Paul

Jai Paul’s “BTSTU” still gets multiple rotations on my iTunes, particularly when I’m driving to work and needing to get excited about the day ahead. What could be more excited than getting to sing “don’t fuck with me, don’t fuck with me” in a high-pitched voice? Nothing. Niia seems to think so too. She’s shared with us her sexy version of BTSTU, admittedly sexier than my car rendition.

[via P&P]

 

3. Niia Covers “Mad World” by Tears for Fears

While we’re on the topic of Niia, she also created a beautiful cover of Tears for Fears’s “Mad World.” By adding a harp, a harder beat, and a bit of speed, Niia might have just created the best cover of this oft-covered song that I’ve heard yet.

4. Benjamin Francis Leftwich Covers “Look at Miss Ohio” by Gillian Welch

Benjamin Francis Leftwich doesn’t have a shortage of balls. Wait…that’s weird. Um…what I’m trying to say is that he doesn’t fear covering superstars. He recently covered The Beatles and now he’s taking on Gillian Welch, who might as well be folk music’s superhero. Subtle and sweet.

5. Bon Iver Covers “Coming Down” by Anais Mitchell

One of the best thing about Bon Iver covers is seeing the instrumentation. This cover features piano, guitar, and a saxophone. It’s really beautiful, as you may have come to expect from a Bon Iver performance. This is a video clip from a visit to Triple J Radio studio in Australia where he chose to cover a song by a friend of his, Anais Mitchell. He says he chose this one because “there is no way not to have feelings about it.”
I’ve never been so high, I’ve never been so high, I’ve never been so high, I think I’m coming down. I’ve never laughed so loud, I’ve never laughed so loud, I’ve never laughed so loud, I think I’m coming down. Nothing going to stop me now, nothing going to stop me now, nothing going to stop me now. Please, don’t leave, easy feeling. Don’t leave me like that. Not yet. Don’t set me free. Free.

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[Album Review] The Shins – Port of Morrow

The Shins' Port of Morrow

In many ways, James Mercer did the polite thing in waiting five long years to release The Shins’ fourth album, Port of Morrow.

He gave you time to play the living Christ out of “New Slang,” assuming you hadn’t already (it’s never going to get old). He let you re-absorb Chutes Too Narrow once you realized that Wincing the Night Away’s spectacular singles couldn’t match the former’s spirited cohesion. If that wasn’t enough, he handed the remaining original band members the pink slip — or perhaps the pink guitar pick or whatever pink object translates to “You’re Fired” in the Bizness — and replaced them with four random instrumentalists who flat-out resemble the type of people you’d expect to play in a band called “The Shins.”

In theory, Mercer gave you every opportunity to forget The Shins, just so Port of Morrow could serve as a re-introduction. Fittingly, after such a long layoff (aside from projects like Broken Bells), he jumps right in with the catchy, quirky “The Rifle’s Spiral,” a rather Shinsy approach to the tune of Arcade Fire’s “Ready to Start.” Once you get going, though, there is very little about this album that should surprise you. Despite premium production and a few extra layers that have since joined the group, the album chugs along the heels of Mercer’s wistful, genre-defining voice. It also incorporates something quite rare for a Shins offering: Choruses. Lots of clearly defined choruses, in fact.

Take the excellent lead single “Simple Song.” The song’s most charming moments are in the chorus, when Mercer’s pipes burst into a pitch so high and smile-inducing that the lyrics couldn’t possibly be anything but “I know that things can really get rough when you go it alone/Don’t go thinking you’ve gotta be tough and play like a stone.” It’s Mercer’s current crisis and cure, put whimsically but concretely into layman’s terms. It’s also quite the surprisingly uplifting spout, contingent with many others among The Shins’ catalogue.

Moving along, the opening seconds of third track “It’s Only Life” eerily resemble “What if God Was One of Us?” to the point that I literally lip-synced Joan Osborne in my car without even realizing it. However, as is the case with many songs here, Mercer’s reassuring chorus saves the day and boosts what could have been a corny spiel about ‘liiiiife’ into a satisfying break from the action. That said, we get right back to business with “Bait and Switch,” a gleeful and identifiable tale about a straight edge who can’t seem to keep pace with the wild girl he’s with. [Insert obvious Belle & Sebastian reference.]

Now, I’ve got to tell you, there are three songs from this album — one of which being “Simple Song” — that I can see myself taking with me for a long time, so I’d like to get to them, if you don’t mind. And that’s not taking anything away from pure pop gem “No Way Down,” slow-burner “For a Fool,” classic rock throwback “Fall of ‘82” or album closer and title track “Port of Morrow,” which we’ll actually revisit later. But I can’t let you stop reading without realizing just how wonderful I consider “September” and “40 Mark Strasse” to be. They’re just goddamn beautiful tracks — each in a unique way — and that’s not a descriptor I remember using with The Shins before. “40 Mark’s” chorus melts into a harmony so soothing that you forget that Mercer’s meanwhile talking about the life of a war-era German prostitute. As for “September,” well, you’ll just have to listen for yourself. It’s as Shinsesque as they come, but there’s a warm sort of spin on it — either from the “wheeeeeews” or from Mercer’s newfound take on sweet, sweet love — that I think eventually will make it fairly irresistible.

We conclude with the title track, the mysterious “Port of Morrow”, which might as well be any Radiohead song’s weird second cousin. Lying beneath Mercer’s dark, twisted falsetto is a rather enormous statement about life, death and the afterlife. (“A preacher on a stage like a buzzard cries/Out a warning of phony sorrow, he’s trying to get a rise”). He even directly addresses us with “dear listeners” and says that despite the curls on his daughters’ heads, there’s only a skull beneath. And that’s how the album ends. It ends with that line. That’s the parting message, people, that despite all of the bountiful love and adventure that precedes the final track, everything’s ultimately dark, gray and going to die.

I can’t possibly compete with such a final, resounding statement, but I’ll leave you with this: Port of Morrow is a winner on most accounts, and where it succeeds it also fails. This is now Mercer’s project and his alone. After a decade, one man can only spawn so much creativity and at times the album tends to wander back to familiar places that you may not have exactly adored in the first place or approach depths that you really wish it hadn’t. But the trick is to lose the context, to lose the idea that the Shins peaked when they first peeked and to enjoy the songs on this album and this album alone. Put it all in the right perspective and I have a feeling you’ll remember how dazzling and utterly refreshing an outing with The Shins can be.

Album Rating: 8.2/10

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A Personal Experience with Perfume Genius [Live Review]

Perfume Genius Live Performance

My mind is jumping all over the place as I try to write this, because I have so much to say. So as you proceed to read this, keep the following in mind: I had the once-in-a-lifetime (or perhaps more than that) experience last night of seeing one of my favorite bands of all time, Perfume Genius, perform in a small, intimate setting. To top it off, I had a front-and-center positioning, so it felt quite a bit as though Mike Hadreas was singing his stories directly to me. That’s an experience I wouldn’t trade for the world.


If you don’t know much, or even anything, about Perfume Genius, here’s the skinny: Mike Hadreas is a gay artist who uses music (heavily reliant on piano and his harrowing voice) to tell the story of his haunted upbringing and to release the imprisoned fear, scars, secrets, and hope that all reside beneath his skin. After his debut release in 2010 (Learning, which Sunset in the Rearview dubbed Best Album of 2010), Hadreas began collecting the attention of critics such as myself, who considered him a singer/songwriter rapidly approaching the ranks of the best writers of today. Learning was a window that allowed us a view into his childhood and his life. It left me with goosebumps after my first listen, and two years later, it still elicits the same response. Today, fresh off the release of his 2012 album, Put Your Back N 2 It, which is a more approachable sound for broader audiences, Hadreas has built out a band of three and started a nationwide tour last night in San Francisco.

MP3: “Mr. Peterson” – Perfume Genius

Hadreas’s songs tell stories of rape, trauma, embarrassment, rejection, fear, suicide, and empowerment. In his song “Mr. Peterson,” off of Learning,  he tells us of an old school teacher who perhaps raped him: “He made me a tape of Joy Division/ He told me there was a part of him missing/ When I was sixteen/ He jumped off a building./ Mr. Peterson/ I know you were ready to go/ I hope there’s room for you up above/ Or down below.” It’s heartbreaking and, honestly very depressing, but it’s a story of one man’s life, and it’s hard not to hear. Is it twisted that I find myself begging for more, when it’s a collection of stories about the darkness he suffered through? I think Hadreas answers that himself in Put Your Back N 2 It‘s “Normal Song:” “No secret/ No matter how nasty/ Can poison your voice/ Or keep you from joy.


Though he shows us so much of himself through his music, I still asked myself so many questions about Hadreas and Perfume Genius. What is his demeanor? Does he act scared? Is he triumphant? Is he kind? Angry? Endearing? When I found out he was coming to Cafe Du Nord in San Francisco, I immediately bought a ticket, being sure to keep it to myself so that I could see this intimate experience on my own, without any distractions.

Can I start by saying that I immediately have a love for headlining artists who come out and watch their openers perform? As I was watching Parenthetical Girls, who put on quite the show!, there appeared Mike Hadreas himself, right next to me. I was a bit starstruck, and frankly too scared to say anything to him. He was there to watch his friends perform, and he seemed to be loving it. So endearing.

When he entered the stage with his bandmates (one of whom is Alan, his boyfriend), it was immediately apparent to me that Hadreas is just who he says he is–a man, battered and bruised, skiddish on stage, and incredibly conscious of his surroundings. He’s skinny, shy, and incredibly thankful of the gracious crowd. When he sits down to play the piano, his legs squirm around, and as he sings, he hides behind the microphone a bit, his face contorting into all sorts of shapes as he makes whatever movements it takes to get such beautiful noises out of his heart and into ours.

Perfume Genius Alan and Mike Hadreas

There were numerous times when I was nearly in tears just standing and listening to the stories that Hadreas had to tell. His writing is absolutely phenomenal. Though I’ve heard each of these songs and stories time and time again, it’s a whole new experience in person. It’s straight from his mouth, and as he sits there in a twitching stature, it’s as though he’s sending the message that he’s made it this far through the darkness, we are to let us lead him through our darkness and transfer our sadness into his heart. He is not only sacrificing his privacy for all of us, but he’s sacrificing his body to take on our pain. And face-to-face, that’s an incredibly powerful experience to see. And coming from Mike Hadreas, it’s believable. “I will take the dark part/ Of your heart into my heart” (From “Dark Parts”)


One last thing that really struck me as I watched this incredible performance was the subtle chemistry between Alan and Mike throughout the performance. If I hadn’t known better, it wouldn’t have been apparent that the two are dating. But as I stood there and watched, it was so sweet to see how Mike would sing certain things, such as “Oh I wish I grew up the second I first held you in my arms/ … I will fight, baby, not to do you wrong” (from “Hood”), and then glance at Alan with a look that whispered “trust me.” It was truly breathtaking.

MP3: “Hood” – Perfume Genius

And lastly, one of my favorite parts of the night was when Perfume Genius played “Hood,” a single from Put Your Back N 2 It and upon finishing, the crowd cheered so loud, and one fan asked for him to play it again. The rest of the crowd agreed, and sure enough, he played it again. Here’s a video of that:


Needless to say at this point, it was a beautiful show. One I’m glad I experienced by myself, and one that I’ll likely never forget.

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[Video] Earl’s First Performance with OF Since Returning from Samoa

EarlSweatshirtWiki100212

Tonight, after an interview with Tyler and Peter Rosenberg on Hot 97, Odd Future’s Earl Sweatshirt performed with the rap collective for the first time since returning from Samoa. He performed Orange Juice with Tyler as well as his song Kill off of EARL.

Lost an erection and found it in a Catholic nun. – Mr. Sweatshirt

It’s nice to have you back, Earl.

Orange Juice

Kill

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Dream Big


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Straight Talk Sunday: In Pursuit of the Different

Straight Talk Sunday
It’s been a while since I’ve done a Straight Talk Sunday (in fact this is the first one of 2012), and I think part of that is because I haven’t had much time, but most of it is because there hasn’t been that much to say. Being creative around the clock is hard…and when there’s nothing to say, I don’t want to force anything, because that wouldn’t be any fun for you guys to read. But today, there’s something to say. And what better time to say it than now.

I’ve been struggling a bit in the past couple weeks with the concept of maintaining this beloved blog that I’ve been running for over three years. My life seems to get crazier by the day, and juggling a full-time job, the commute to and from work every day, social gatherings, and just having time to myself here and there gets difficult. Finding time to put in blogging gets really hard, and like I said before, I don’t ever want to force anything.

I’ve thought a bit about quitting, you know…about letting go of the blog. It’s fucking sad to say, and it even makes me squirm when I type it here. This thing has been my obsession for the past three years, and to think about discontinuing it tears at my heartstrings. But I’ve just found that it’s really hard to manage with so many other things on my plate.

But today I’m here to say that I’m not giving up. Nope. Not me, not today. There are a lot of distractors, but then all of the sudden I come across something so beautiful, so different, so moving, that it reminds me once again what the point of this blog is. It reminds me why it’s WORTH taking time out of my life to maintain this blog and to share with you guys what I find to really be life-altering. It was beautiful music that got this started, and it is beautiful music that will keep it going.

Today I came across some of this music, and I’m here to share it with you guys.

I get really excited when I hear a song that sounds, for lack of a better description, a little different. Listening to so much new music every day can be tiring. A lot of it starts to sound the same, and it starts to blur in my mind a bit. What’s funny is that at times I’ll hear songs that don’t fit to a typical song structure (you know…chorus, three verses, a bridge), and I’ll immediately put it off as the works of people poorly versed in the study of music. But then some songs come along that don’t follow this structure and I praise their existence. But perhaps what’s more important than just the structure of the song is the sound of how it was put together.

A great example of this is a song off of Bowerbirds’ new album, called “In The Yard.” When I listen to this track, there are things that I hear and wonder if they intended to make it sound funny like that at times. I ask myself why it sounds a little off, or why the tempo changes so unexpectedly. And then I realize that they’re doing this completely on purpose. These guys have a mastery of the art of making music. And by doing these quirky things in their song, they’re keeping my attention the entire time. It’s creative, and by god it works. This song right here inspired this post, and it is something like this that inspires me to keep going.

MP3: “In The Yard” – Bowerbirds

Another great example of music that moved me today and reminded me why I love doing this so much is a song by Django Django called “Default.” Tell me this isn’t one of the more unique songs you’ve heard in a while. Is it electronic? Is it rock and roll? But wait. It’s folky, it’s twangy, and if it isn’t one of the catchier songs you’ve heard in a while, you might be crazy. I absolutely love it. Are these guys modern-day Fatboy Slim?

And lastly a video I received today of a live recording of The Barr Brothers performing their popular song, “Beggar in the Morning.” This one struck me as unique because of the visual experience. I can listen to a song like “Beggar in the Morning” and be mystified at the noises and the beauty of it, but it’s hard to really conceptualize what it took to put these noises together. In a session they did with KEXP, The Barr Brothers recreated the song, and we get to see all of the parts that form the whole. It’s truly beautiful, and without these visuals, I’m not sure I would have been able to appreciate this song to the same extent that I will now.

And to sum it up, thank you guys for being here to read what the Sunset Family has to say every day. If it weren’t for you guys, we’d have nothing to work for. So thank you, thank you.

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Tape Tuesday: We are the universe.

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This Tape Tuesday features an eclectic assortment of music. It starts out with probably the best opening track from any album this year. Then, it moves into the endlessly catchy title track (kind of) by tree, only to be taken up a notch with the strangely unknown Skizzy Mars track, “Meant for Me,” which I think is one of his best songs yet. After another relatively unknown track, the mix takes a more folksy tone with a Matt Longo track (thanks to an email from him, which I almost didn’t open). Leading up to the interlude (edited by yours truly), the songs become more indie rock. Each song in this middle section of the mix is uniquely catchy. At least, I think so. ‘We are the universe.’ then ends with two haunting tracks from powerful female vocalists followed by an intense love (but also kind of hate) song that will make you want to square dance or some shit.

Also, I would like to shout out Lydia and Jordan for hitting me up with some of my favorite tracks of the month. I would also like to thank Charlotte Wilder for illustrating the awesome cover art.

No sun revolves around you only, how could you think that you’re lonely? Our universe is vast but gravity will hold you back and overcoming obstacles is easy when you got control.

  1. Frankie Rose – Interstellar
  2. tree – Universal (ft. Ariel Thiermann)
  3. Skizzy Mars – Meant for Me
  4. Mikey Mike – If I Ain’t Stopped Lovin’ You by Now (Chainsaw Love, Pt. 4)
  5. Matt Longo – Level-Headed Man
  6. Raider – Lady, Lady
  7. The Griswolds – Mississippi
  8. Imagine Dragons – It’s Time
  9. Reptar – Sebastian
  10. San Cisco – Rocket Ship
  11. Fixers – Another Lost Apache
  12. Fixers – Iron Deer Dream (RAC Remix)
  13. The Lumineers – Ho Hey
  14. Imagine Dragons – Tokyo
  15. Made in Japan – What It Is
  16. Lady Danville – Operating
  17. M83 – M83′s Interlude
  18. Chairlift – Met Before
  19. Charli XCX – Stay Away
  20. Alexander Rybak – Fairytale

DOWNLOAD ‘WE ARE THE UNIVERSE’ HERE

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Best of February 2012

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I probably say this every month, but February was ridiculously good. A lot of indie, and quality hip hop on here. You know the drill…download below, my top 5, followed by the track listing!

- JDimerrr

Download Best of February 2012

Jordan’s Top 5:

KiD CuDi – Teleport 2 Me, Jamie & Dose of Dopeness

It wouldn’t be fair if 2/5 songs were KiD CuDi, so I combined them into one! Teleport 2 Me, Jamie will probably go down as Cudder’s best “rock” song because most people enjoy it and some fans haven’t been to excited about his upcoming release in WZRD. Oh, and it also doesn’t hurt to have over 100 plays in one month… Dose of Dopeness was an urban legend that finally saw the light of day and this song provides the main reason why people started to fall in love with this guy back in 2008.

Carousel – Open Road

Carousel is my favorite indie band. I’m new to the indie world, and with only a few songs, Carousel has taken me to a whole other side of music. Open Road is an adventure that will get you movin’ and groovin’! Songs like these? They just “make it eaassssyyy!”

Walk The Moon – Next In Line

Oh, look! Another indie song in my top 5! Are you catching a pattern here? Arjun dubbed them “2012′s Foster The People” and I hope he’s right. Looking forward to watch Walk The Moon progress this year.

Rhye – Open

Instantly fell in love with this. Don’t know too much about Rhye, but this one works best on a rainy day. Try not to sing and snap along with the instrumental? Yeah, slightly impossible.

Timeflies – Under The Sea

These songs are in no particular order, but the last one listed was the one I had problems with. I wasn’t sure who was going to take it. Meg Myers, Wildcat! Wildcat!, B.o.B, Timeflies, G-Eazy, The Dean’s List, and I didn’t know what to do! To settle the tie breaker, I went to the play count and Timeflies won. Under The Sea is arguably their best Timeflies Tuesday and when they finally released a full version, they left everyone wet. Am I allowed to say that or is that too much?

Honorable Mentions: Meg Myers, Wildcat! Wildcat!, B.o.B, G-Eazy, The Dean’s List, Domo Genesis, Kendrick Lamar, 2Am Club and many, many more.

Hit the jump for full track listing

Continue reading “Best of February 2012” »

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