New Music Daily
Wisconsin-based duo Brightviolet gets the summer started off right with the sparkling, bright “Blush”. This tune is the latest release by Ryan Cray and Sam Molinaro, who have spent the past year refining their ethereal electronic sound, along with the occasional Migos re-work (Soundcloud here).
This track builds up from a bed of warm textures – like those first rays of morning sunlight, it shifts slowly and gently, adding layers of percussion and lighthearted synth leads. The chorus brings a more full-bodied sound, bobbing and weaving in a way that will have Flume fans smiling.
This tune builds on an already nuanced catalog of Brightviolet releases, and an upcoming EP this summer will surely bring this fresh new sound to more listeners. Keep an eye out for these two young producers, and check out “Blush” below.
Emmit Fenn is back with “Oceans” featuring Nylo, which will be the last featured single before his debut Prologue EP drops in two weeks. This is a slightly different vibe than what we’re used to from Emmit because it features vocals other than himself, and is a little more upbeat. All that does is show the range that he’s capable of as an artist.
Singer-songwriter Ashe released her debut single “Used To It” this week and it is electric. The single tells a story of a relationship that’s gone stale, and the constant fight to make it feel right again despite knowing the end is inevitable. She embodies this perfectly when she sings, “We ain’t really fighting about the f**ckin’ dishes and all the broken pieces that we’re never fixing”- damn right, it’s not about the dishes. Ashe delivers all of the elements of a summer hit on this debut and I’m eager to see what’s next for her.
Check the single below and add it into your summer rotation!
High Rule returns since the release of their debut EP with their new single, “Someone Else.” Sticking to their fusion of hip hop, electronic, and pop sound, they mysteriously return and touch on the culture that dating has become in 2017. The duo, Seis and Buoy, are something to look out for the rest of the year.
Emmit Fenn, and NoMBe, two of my favorite artists, link up for a hypnotizing effort that will seduce you. NoMBe provides the sexy guitar. Emmit continues to flex his genre-bending skills. Emmit has been steadily releasing new music at a good pace, so be sure to peep the older releases and stay tuned for the new ones.
19-year-old Kylie Odetta’s sophisticated tunes are brimming with cross-over potential, appealing to fans of jazz and top 40 while falling in step with the slow-burning R&B of Alina Baraz and Yuna. With her newest release, Undertow, Odetta has backed away from the indie electro vibes of her previous EP and stepped into a more contemporary pop role that meshes her signature gorgeous vocals with warm brass and mature musical arrangements. Her musical acumen is certainly a sound to behold and she has proven herself consistent in delivering high-quality, emotive songs that evoke some of the greatest songwriters in recent history. The crowning jewel of Undertow is the delicate banger “Stress” which puts off a serious young Alicia Keys vibe, complete with sultry attitude and in-the-pocket finesse.
Undertow is out today and can be purchased via iTunes
Today we have the pleasure of premiering the new single from evocative LA-based upstarts Toyko who prefer to keep things cryptic on the surface. No real origin story is available on the duo and they’ve opted for expertly designed collage art instead of traditional publicity photos. However, when it comes to delving into the nuts and bolts of their moody, multidimensional, electro-tinged pop, they are quite forthcoming. “Thematically I wanted to touch on the bittersweet nature of being with someone you love but don’t get to see often” the band reflects. “I had gotten the idea for the chorus lyrics one night when I had texted my girlfriend ‘i love you’ before bed. She responded after I was already asleep but the next day said to me, ‘Just know I love you so much even if I don’t say it”. If that beautiful sentiment sounds too syrupy for you, simply hit play and let the edgy synth work and wily distortion offset your trepidation.
Songwriter-singer Emily Warren is ready to make her mark as a solo artist with her debut single “Hurt by You.” If Emily’s name doesn’t ring a bell, her voice certainly will – her featured vocals and masterful songwriting are defining Top 40 music as we know it. I can guarantee you Emily’s been the soundtrack to your recent dance party or road trip, most notably with her features on the Chainsmokers’ Memories… do not open. But her parallel path towards solo stardom is taking on a bit of a different shape, providing an opportunity for her to tell her own story. In her debut single “Hurt by You,” Warren uses her solo platform to remind her listeners to be vulnerable, and to fall deeper into love despite knowing that with deeper love comes the risk of deeper pain- advice I think we could all take. She produced a song that’s so incredibly fluid it’s hard to pinpoint a specific genre- and that’s the beauty of the track- it’s got hints of jazz, r&b, folk all strung together by Emily’s powerhouse vocals.
Give the debut single a listen below and/or catch Warren on tour with the Chainsmokers this spring!
Blende gets the summer off to an early start with the smooth “Back to Summertime”, with vocals courtesy of The Rapture’s Mattie Safer. This track reflects the feeling of longing that inevitably follows any truly stellar summer vacation, and the accompanying bygone summer romance. Blende continues his streak of danceable electro-pop hits in the vein of artists like Oliver Nelson, but adds some unexpected accessories that build on his prior work.
Choruses are linked by gritty synths, reminiscent of certain French dance music archetypes, and Safer’s vocals bring a newfound urgency to the traditionally carefree nu-disco tradition. Check out this track below!
They say you don’t know what you’ve got until it’s gone, and that is the crux of “Conundrum,” the latest single from British singer-songwriter Hak Baker. Over mellow guitar plucks, Baker fondly reminisces on his perfectly imperfect upbringing in east London. What makes this song particularly special is the level of detail offered by Baker, as he effortlessly paints vivid scenes of selling weed (“to make your pocket money bigger”), running from police (“no, we don’t trust them”), and leaving his mom’s place (“I was tired of the beatings”), among other things. It’s a strange type of song that will either have you shedding tears on your keyboard or smiling stupidly to yourself as you remember your own degenerate youth.
One of my absolute favorite things about music is its ability to transport you to a very specific moment in time, to a very specific feeling. Beyond that, I love how a song, when played the right context, can completely transform in meaning or value to you. “Distant”, by Clement Bazin is one of those songs for me. This was a track that made it through my hurried initial listen of new music Friday, earmarked for a complete listen at a later time. It is a track that I continued to overlook as a part of the under-appreciated soundtrack that plays in the background of my daily work grind. But it wasn’t until an early morning drive up to Tahoe, with the sunRISE in the rearview, that I fell hard for the groovy, feel-good vibes of “Distant”. I’m excited to have a song that will forever transport me to that epic drive, and also to see what is to come for Parisian producer Clement Bazin and featured artist Lia.
Sunset fam, I’m having a serious moment with this song and I would love for you to join me in that moment. Earmark this one for your next road trip or adventure, you won’t regret it.
Back in high school, Joey Aich was just a 16 year old kid wanting to become a rapper. He wanted to put his thoughts on paper, share his views, spread his message, and have fun doing it. So that’s exactly what he did. Doesn’t take much to get started doing this music thing. He had a dream back then, and wanted to do anything he could to make it happen. That was seven years ago. That dream hasn’t changed for the Cleveland born rapper. What’s different from then versus now? Joey has a couple projects under his belt, he’s consistently performing shows all around Ohio, and he’s gained a following. On top of all of that, he was able to share the stage with his favorite rapper. Check out the incredible story below from Joey:
When Asher Roth released Seared Foie Gras with Quience and Cranberry, I was hooked. He’s been my favorite rapper since that release. In 2014, after I dropped College D.egree, I went to his show at the House of Blues in Cleveland. My friend and I tried to sneak into the meet and greet Asher was holding without tickets to give him a demo. As you would expect, we got kicked out. So we waited in the parking lot, and eventually Asher came out to talk and even rapped with a few of us. Fast forward to 2015, I was fortunate enough to be given the opportunity to open up for him. In one of my older songs, I have a line where I say “visions of Asher Roth inviting me to the stage.” During Asher’s set, he called me up and we performed “Lark On My Go Kart” together.
Asher Roth – Park street Saloon (’15) pic.twitter.com/DhbhsmiVFb
— Joey Aich (@JoeyAich4) February 11, 2017
That’s what this latest release is about. It’s about chasing your dreams, and doing everything you can to make it happen. Joey writes from the point of view as a rapper. He wanted his message to be clear that it’s for everyone else too, and that they’re not alone. “Rope Break” is off of If Money Grew On Trees due later this year. This also marks Joey’s debut on Spotify, and Apple Music.