Posts by Dusty

Noah – Sexy and I Know It (LMFAO Cover)

Noah

LMFAO’s “Sexy and I Know” is dead is buried. The radio killed it. Then Bruce Springstein buried it. Then Madonna took it out of the grave and killed it twice over. Fuck, even Nicholas Cage has reminded of us of how annoying this song can be.

But then there was Noah.

Noah took every notion that’s ever been constructed from this song and threw it out the window. He produced a cover to end all covers.

By now many of you may have seen this viral cover of the transcendent LMFAO song, but I’ve also included an MP3 for your enjoyment. Thank you Noah. You’ve showed the world that even the most commercial of songs can be oh so soulful.

Noah – Sexy and I Know It (LMFAO Cover)


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[Video] Chance The Rapper – Hey Ma

Chance The Rapper

In celebration of Mother’s Day, Chicago based emcee Chance The Rapper dropped some heartfelt visuals for his track, Hey Ma, off his #10Day mixtape. Directed by Elijah Alvarado, the video parallels some candid photos from Mr. Bennett’s childhood with his current self–all in the name of his loving mama who helped him become who he is today.

Happy Mother’s Day my mama, your mama and every mama out there.


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Friday at Five [Weekend Music]

New Friday at Five!

Unless your from Greenland (sorry Greenland audience), the rapidly approaching summer means a couple thangs: tank tops, sunglasses, bikinis, cold dranks and of course, live music. One of my favorite things to do on a hot ass summer day is to hit up an outdoor concert. Coachella has already come and go, but we still got plenty of big boys to come, including Bonnaroo, Pitchfork, Summerfest, Lollapalooza, Electric Forest, etc.

Will ya’ll be attending any shows this summer? What are you most looking forward to?

Oh yeah, happy #Friday.

1. JUMANJI – Azealia Banks

2. Do I See Color (Big Gigantic Remix) – Adventure Club Dubstep

3. Perfect World (RAC Mix) – Gossip

4. Too Close – Alex Clare

5. Let’s Go! (Original Mix) – Krftkds


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Azealia Banks – Jumanji

Azealia Banks

Yung Rapunxel aka Azealia Banks aka the reincarnation of Missy Eliot just unleashed this new jam off her SoundCloud. It’s a busy song with an even busier flow by Ms. Banks that’s sure to get people on their feet. Looks like this one is a cut off her upcoming mixtape, Fantastic. Ooh wee.

 


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Left Boy – Call Me Maybe

Left Boy

I’m usually not a fan of remixing “guilty pleasure” songs, but if I had to trust anybody to get the job done right, it’d probably be Left Boy. Sampling the annoyingly infectious single, Call Me Maybe, Left Boy puts Carly Rae Jepsen through some sort of video game soundtrack blender and adds his own weird brand of bars to boot. Word.


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Friday at Five [MCA Weekend]

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YOU GOTTA FIGHT FOR YOUR RIGHT TO PARTY

This column is typically reserved for a selection of raucous, electro party jams for everybody to get down to as the week ends. Dejectedly, this isn’t a typical Friday.

As most of you know by now, Adam Yauch–a founding member of the momentous hip-hop trio the Beastie Boys–passed away today after a three year long bout with cancer.

More commonly known by his moniker MCA, or sometimes Nathaniel Hornblower, Yauch was diagnosed with cancer in 2009, when a tumor was found in his salivary gland. Though he slipped away from us quietly, I have a feeling that he’ll be heard for a very long time to come.

This Friday at Five is dedicated to the late great Adam Yauch, who was a visionary emcee, bassist and videographer. Peep the iconic visuals for “Intergalactic” below, which Yauch directed himself, as well as a selection of some of my favorite Beastie Boys cuts.

What will you remember most about MCA? What are you favorite Beastie Boys jams to bump?

Rest in peace Adam. Thank you for everything you’ve done for music. Your voice lives on.

Beastie Boys – Sabotage

Beastie Boys – Shake Your Rump

Beastie Boys – Fight For Your Right

Beastie Boys – Paul Revere

Beastie Boys – Intergalactic


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The Secret Meeting That Manufactured Gangster Rap

N.W.A

My friend passed this story along to me, originally from Hip Hop Is Read. As an “anonymous” whistle-blowing letter, it suggests that the music industry was responsible for manufacturing what we know today as gangster rap.  This was done in order to promote a criminal culture for an entire generation of Americans, which would help fund privately owned prisons controlled by none other big wigs within the music industry itself.

It’s a crazy read and something that I think everybody should consider taking a couple minutes to digest. Obviously, it’s anonymous nature makes it difficult to treat as completely valid, but an interesting “story” nonetheless. What do you guys think of this–delusional conspiracy or haunting truth? Peep the letter in full below.

AMERICAN GANGSTER

Hello,

After more than 20 years, I’ve finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music, and ultimately American society. I have struggled for a long time weighing the pros and cons of making this story public as I was reluctant to implicate the individuals who were present that day. So I’ve simply decided to leave out names and all the details that may risk my personal well being and that of those who were, like me, dragged into something they weren’t ready for.

Between the late 80′s and early 90’s, I was what you may call a “decision maker” with one of the more established company in the music industry. I came from Europe in the early 80’s and quickly established myself in the business. The industry was different back then. Since technology and media weren’t accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music’s new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I’ve ever seen.

The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. Based on their behavior and formal appearances, they didn’t seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn’t find anyone who had answers for us. A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the “unfamiliar” group collected the agreements from us.

Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background. I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of “decision makers”. At this point I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments. I remember many of us in the group immediately looking at each other in confusion. At the time, I didn’t know what a private prison was but I wasn’t the only one. Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we’d be able to buy shares. Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions. He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled. Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice. He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as employee, we’d also be able to buy personal stocks in these prisons. Immediately, silence came over the room. You could have heard a pin drop. I remember looking around to make sure I wasn’t dreaming and saw half of the people with dropped jaws. My daze was interrupted when someone shouted, “Is this a f****** joke?” At this point things became chaotic. Two of the men who were part of the “unfamiliar” group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene. One of them pulled out a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside. My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business and nothing we’d want to challenge without risking consequences. We all protested and as he walked back into the house I remember word for word the last thing he said, “It’s out of my hands now. Remember you signed an agreement.” He then closed the door behind him. The men rushed us to our cars and actually watched until we drove off.

A million things were going through my mind as I drove away and I eventually decided to pull over and park on a side street in order to collect my thoughts. I replayed everything in my mind repeatedly and it all seemed very surreal to me. I was angry with myself for not having taken a more active role in questioning what had been presented to us. I’d like to believe the shock of it all is what suspended my better nature. After what seemed like an eternity, I was able to calm myself enough to make it home. I didn’t talk or call anyone that night. The next day back at the office, I was visibly out of it but blamed it on being under the weather. No one else in my department had been invited to the meeting and I felt a sense of guilt for not being able to share what I had witnessed. I thought about contacting the 3 others who wear kicked out of the house but I didn’t remember their names and thought that tracking them down would probably bring unwanted attention. I considered speaking out publicly at the risk of losing my job but I realized I’d probably be jeopardizing more than my job and I wasn’t willing to risk anything happening to my family. I thought about those men with guns and wondered who they were? I had been told that this was bigger than the music business and all I could do was let my imagination run free. There were no answers and no one to talk to. I tried to do a little bit of research on private prisons but didn’t uncover anything about the music business’ involvement. However, the information I did find confirmed how dangerous this prison business really was. Days turned into weeks and weeks into months. Eventually, it was as if the meeting had never taken place. It all seemed surreal. I became more reclusive and stopped going to any industry events unless professionally obligated to do so. On two occasions, I found myself attending the same function as my former colleague. Both times, our eyes met but nothing more was exchanged.

As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves. Only a few months had passed since the meeting but I suspect that the ideas presented that day had been successfully implemented. It was as if the order has been given to all major label executives. The music was climbing the charts and most companies when more than happy to capitalize on it. Each one was churning out their very own gangster rap acts on an assembly line. Everyone bought into it, consumers included. Violence and drug use became a central theme in most rap music. I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities.

I officially quit the music business in 1993 but my heart had already left months before. I broke ties with the majority of my peers and removed myself from this thing I had once loved. I took some time off, returned to Europe for a few years, settled out of state, and lived a “quiet” life away from the world of entertainment. As the years passed, I managed to keep my secret, fearful of sharing it with the wrong person but also a little ashamed of not having had the balls to blow the whistle. But as rap got worse, my guilt grew. Fortunately, in the late 90’s, having the internet as a resource which wasn’t at my disposal in the early days made it easier for me to investigate what is now labeled the prison industrial complex. Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration. Twenty years of guilt is a heavy load to carry but the least I can do now is to share my story, hoping that fans of rap music realize how they’ve been used for the past 2 decades. Although I plan on remaining anonymous for obvious reasons, my goal now is to get this information out to as many people as possible. Please help me spread the word. Hopefully, others who attended the meeting back in 1991 will be inspired by this and tell their own stories. Most importantly, if only one life has been touched by my story, I pray it makes the weight of my guilt a little more tolerable.

Thank you.


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The Hood Internet – Pesobedear (A$AP Rocky x Purity Ring)

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Damn. I know I post a lot of The Hood Internet, but I think they really outdid themselves this time. By throwing Purity Ring and A$AP Rocky into a blender, the Chicago based mashup duo cooked  up something much weirder this time around–but awesome nonetheless. This one takes bars from That Pretty Motherfucka’s cult hit “Peso” and lays them over Purity Ring’s “Obedear.” Swoop!


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MAJOR LAZER – Party Shot (ETC!ETC! REMIX)

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Diplo just dropped this ETC!ETC! remix of Major Lazer’s “Party Shot” via his SoundCloud. Nothing like a solid dance jam with Caribbean flava. MAJA LAZA!


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Friday at Five [Weekend Music]

New Friday at Five!

I’m simply going to leave you with the following video. I hear it’s going to be adapted into a full blown eHarmony commercial. Happy Friday ya’ll.

1. Let It Go (Faustix & Imanos Remix) – Dragonette

2. Original Don (Flosstradamus Remix) – Major Lazer

3. Love Is Real (Fred Falke Remix) – Theophilus London

4. Do Harder Be Faster (TheFatRat‘s Skinny Dip Mashup) – Daft Punk

5. Daydreamer Feat. Example (Dillon Francis Remix) – Flux Pavilion


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[Video] Chance The Rapper – Brain Cells

1327512262-chancetherapperpic

Chance Bennett aka Chano aka Chance The Rapper has been making big waves in Chicagoland and beyond with his recent mixtape, #10Day. His flow–which uses a gang load of assonance and alliteration–is uncanny, refreshing and quite simply impressive. Peep the visuals for “Brain Cells” below, which kinda resembles something you’d see in your 9th grade health class about the dangers of drugs.

Bonus: My favorite cut from #10Day (“Prom Night” is damn close though), produced by none other than Chuck English of The Cool Kids.

Band of bad bandits abandoned bandanas banned from band practice

Chance The Rapper – U Got Me Fucked Up


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Dieter Schaaf – I Am a Child [Album]

I Am a Child

I met Dieter Schaaf two summers ago, working a job at school moving furniture. One thing I’ll always remember about him is that he would beatbox. Like, constantly. So much in fact, that I nicknamed him Deetbox. He was always insisting that I freestyle with him to a near annoying level, and he even made a beat for me, just for kicks (pun probably intended.)

Anyway, point is that he had a huge heart when it came to music. A motor that drove endlessly. He told me he was working on an album called, “I Am a Child,” and that it was going to be “awesome.” Fast forward almost two years later, and Dieter kept to his word. He dropped that self-produced, debut album yesterday. I’m here to share it with ya’ll.

Schaaf is self-described as “pop,” but after listening to his album, you can’t quite say it’s just that. There’s persistant elements of hip-hop, reggae, blues and indie rock. It’s kinda like Sufjan Stevens fucked John Mayer and had a kid. Then, that kid found an MPC–and went off. I think.

Peep a couple tracks I’ve highlighted below, and don’t be shy to download his album either. Keep doing ya thang Deetbox. I see ya brother.

DOWNLOAD: DIETER SCHAAF – I AM A CHILD

Dieter Schaaf – Prime Minister

Dieter Schaaf – Biochemistry

Dieter Schaaf – Confused


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